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Kathleen Collins, president of the Kansas City Art Institute since 1996, announced earlier this month that she will retire June 30, 2011. At the time of her retirement, Collins will have served as president of the college for 15 years, longer than any other president in the Art Institute’s 125-year history. Asked which of her many accomplishments give her the greatest pride, Collins mentioned the creation of the H&R Block Artspace, as well as its programming, which has been developed over the last 10 years. She noted the Artspace, located at 16 E. 43rd St., signified a reaching out beyond the main campus at 4415 Warwick Blvd. and was the first important building project undertaken during her tenure. She also cited the development of the Jannes Library and Learning Center, which opened in 2002, as well as the Dodge Painting Building, which opened in 2006. For a complete press release, click here. For letters from President Collins and Gary Gradinger, chairman of the board, to alumni regarding the retirement, visit www.kcai.edu/alumni.
Additional information can be found on the KCAI alumni blog, here.
KCAI alumna Peregrine Honig previewed and signed “Widow” in February at the Nerman Museum of Contemporary Art at Johnson County Community College in Overland Park, Kan. “Widow” is formatted as a limited edition glossy magazine and is Honig’s third collaboration with Landfall Press, owned by Jack Lemon (’63 painting). It explores and challenges fashion culture and commercial standards of beauty. “Widow” includes selections of Honig’s work as well as work by 18 artists, musicians and photographers, including Kacy Maddux (’02 painting). Alice Thorson of The Kansas City Star lauded the piece, describing it as “sweeping in scope, yet with a laser focus on the absurdity of consumer culture’s expectations and ideals regarding women.” For more information about “Widow,” visit www.widowmagazine.com. For more information about Honig’s work, visit www.peregrinehonig.com.
In February, Art in the Loop announced the latest art commission for the ARTwall, “Forever People” by Ascot Smith (’05 photo/new media). The ARTwall is a custom-designed billboard structure located on the south-facing side of the Town Pavilion parking garage at 13th and Grand Streets in Kansas City, Mo., and was created to exhibit a rotating display of super-sized contemporary art. “Forever People” is the fifth work of art to appear on the ARTwall since it began in 2006. “Forever People” includes a fictional story that Smith presents in a series of audio episodes. Viewers are encouraged to call the free phone number listed on the ARTwall billboard to hear the audio recordings. A new audio episode will be updated every other Monday and for nine months. To listen to “Forever People” call 816-412-1798 and enter the three digit code 111 followed by the pound (#) sign. The ARTwall is a project of the nonprofit Art in the Loop Foundation, a partnership of the Downtown Council of Kansas City, the Greater Kansas City Community Foundation, the Kansas City Art Institute and the Kansas City Municipal Art Commission.
Each of 46 two-page spreads features two works by an individual faculty member, along with a brief biography and photograph. Many of the spreads include a series of questions and answers, in which the faculty member reminisces about such topics as their favorite moment at KCAI, what aspects of art and design they feel may most profoundly affect the future and what makes KCAI a unique school. The book also includes a preface by Mark Salmon, Ph.D., vice president for academic affairs, and a summary of a round-table faculty discussion moderated by Maria Buszek, Ph.D., assistant professor of art history. The book was edited by Elizabeth Murray, communications manager at KCAI, and designed by Mary Lou Brous, who holds a B.F.A. degree in graphic design from the college and who also serves on the KCAI board of trustees. The 112-page perfect-bound book measures approximately 9.5 inches by 9.5 inches and was printed by Mpress in Kansas City.
Carl Kurtz (’66 design), professor in the School of the Foundation Year, received the Excellence in Teaching award at the beginning of the 2009-2010 school year. Kurtz, along with Hal Wert (who was featured in last issue’s faculty spotlight), professor in the School of Liberal Arts, and Wilbur Niewald (B.F.A ’49, M.F.A. ’53), professor emeritus, attended the alumni gathering in New York on April 9. A KCAI faculty member since 1973, Kurtz also has exhibited extensively and received several awards for the arts. His work has been shown in numerous solo, group, juried and invitational exhibitions throughout the United States, Italy, Austria, the Netherlands, Belgium and Russia. Kurtz's work has been published in the Time/Life Library of Photography series, Print, U&Lc, Letter Arts Review, Scripsit, Calligraphy Review, Lettering Arts and Art in America. His works are included in the collections of the University of Nebraska; Wellesley College, Massachusetts; Central College, Iowa; J.B. Speed Art Museum, Kentucky; Madison Art Center, Wisconsin; Spiva Art Center, Missouri; Galleria D'Arte Del Cavallino, Italy; Hallmark Cards, Inc., Kansas City; Watson, Ess, Marshall & Enggas, Kansas City; H&R Block, Inc., Kansas City; The Collected Image, Chicago; The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry, Florida; The Newberry Library, Chicago; Belger Cartage, Kansas City; Sprint Corporation, Kansas City; Dodge City Community College, Kansas; and Graphic Design Associates, Delaware. Kurtz also has received KCAI's Distinguished Achievement Award, a Fulbright-Hays Grant, an Alliance of Independent Colleges of Art Faculty Research Grant and several Mellon Faculty Enrichment Grants.
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“Surroundings,” an exhibition featuring work by Jon Scott Anderson (’69 painting), John Ferry (’92 illustration), Richard Mattsson, professor in the School of the Foundation Year, Wilbur Niewald (B.F.A. ’49 and M.F.A. ’53 painting), professor emeritus of painting, and Jane Voorhees, instructor in the continuing education department, was on display through March 6 at Dolphin Gallery, Kansas City, Mo.
G. Augustine Lynas (’64 design) created a snow sculpture, “Two Feet of Snow in NYC,” in response to the Feb. 10 snowstorm in New York. For information on the artist’s sculptures and other work, visit www.sandsong.com. Jeanne Danforth (’68 painting) opened her own studio in Chateaugay, N.Y. in 2007, where she paints, draws and creates mixed media works. She exhibits her work frequently, and she co-manages an annual local arts festival.
Nancy Purington (’73 painting) exhibited work in “Meditations on the Mississippi” through March 27 at the Art Salon at the Figge in Davenport, Iowa. Purington also will exhibit work in “Twelve Views of Water” May 28 through Aug. 8 at the Dubuque Museum of Art in Dubuque, Iowa. The exhibit will be on view during October and November at the Clear Lakes Art Center in Clear Lake, Iowa.
Work by Allan Winkler (’75 ceramics) and Michael Sinclair is featured on the “Artboards” at Missouri Bank’s Crossroads branch, located at 125 Southwest Blvd., Kansas City, Mo. Winkler’s images of black and white paper-cut artworks, entitled “Community Meeting,” depict an eccentric cast of characters on the west billboards. According to Kate Hackman, associate director of the Charlotte Street Foundation, “Winkler’s wonderfully detailed pair of images exemplify the artist’s skillfulness in the medium of paper cutting as well as his ability to convey joy, delight and a deep sense of humanity using the simplest of means.”
Janet Niewald (’76 painting), an artist and senior instructor of art in Virginia Tech’s School of Visual Arts, College of Architecture and Urban Studies in Blacksburg, Va., was selected for the 185th annual Invitational Exhibition of Contemporary American Art, on view through June 8 at the National Academy Museum, 1083 Fifth Avenue, New York. Niewald also is exhibiting work in a one-person exhibition, “Off the Bridge: Recent Oils and Watercolors,” through June 15 at the McCarthy Gallery at Washington and Lee University in Lexington, Va. Lynn Rosenthal (’79 photography) exhibited an ongoing project, “Elephant Ear,” in January and February at Saint Joseph’s University Gallery in Lower Merion, Pa. Begun in 2005, the project pursues themes of fertility, aging and life and death in the cycles of the elephant ear plants that were grown in Rosenthal’s garden. www.inliquid.com
Theresa Kasun (’88 painting) created a new wine still life that is being reproduced on a collection of kitchen products by CounterArt and will be sold at 250 Wal-Mart stores in Canada this spring. She also has a vineyard/wine calendar coming out in 2011 being manufactured and distributed by Pine Ridge. The artist organized a coffee and tea-themed group show at the 5th Annual Coffee & Tea Festival in February in New York. Kasun also exhibited new paintings at the festival. For more details, visit www.theresakasun.com.
Jeffrey Crowe (’93 ceramics) is exhibiting kiln-glass work in “e-merge 2010,” on display through June19 at Bullseye Gallery in Portland, Ore. www.jcroweart.wordpress.com; www.bullseyeglass.com/emerge/ Cat Thomas (’93 fiber) recently won the Outstanding Made for Television or Miniseries Award for her costume design work on the HBO film “Grey Gardens” at the 12th Annual Costume Design Guild Award.
'jide Aje (’94 industrial design) presented “Paintings and Mixed Media Work by 'jide Aje” in January and February at 2739 Edwin, Hamtramck, Mich. ‘jide Aje is a Hamtramck-based artist who was educated in Nigeria and the United States and whose work reflects a deep interest in African culture and a constant experimentation with new creative processes. www.jideaje.com
“The World’s Gone Beautiful,” an exhibition of work by Christian Holstad (’94 ceramics), was on view from December through February at the Daniel Reich Gallery in New York and garnered a review in the current issue of Modern Painters. Reviewer Steve Pulimood described the show as “a master magpie’s tightly focused production of bric-a-brac and brittle niceties,” adding, “The title Holstad chose for the exhibition, from a 1969 Malvina Reynolds folk tune that contemplates the world at its end, speaks to the binge and purge of conspicuous consumption, in which the users have used and the takers have taken.” Jerry Lyles (’95 painting) exhibited work in a three-person show, “Allegories of Realism,” in February at Artbox Gallery in Indianapolis. Ky Anderson (’95 fiber) exhibited work in a group show entitled “Paper!Awesome!” through March 27 at Baer Ridgway Exhibitions in San Francisco. www.baerridgway.com Joshua Reiman (’95 sculpture) will show work in “Beyond/In Western NY 2010: Alternating Currents” Sept. 24 through Jan. 17 at Albright Knox Museum in Buffalo, N.Y. www.joshuareiman.com Christina Ayala (’97 painting) exhibited “Telepathy Drawings” through March 10 at the Pinkard Gallery at Maryland Institute College of Art in Baltimore. For more information, visit the Baltimore Sun online. Christy Georg (’97 sculpture) exhibited work in a group show entitled “EXPERIMENTS MEMORIES DEVICES Works That Measure Amplify Connect Define” in February at Grimshaw-Gudewicz Art Gallery in Fall River, Mass. She also exhibited work in “The Amazing Acoustaphotophonogrammatron” in March at Gallery 51 at Massachusetts College of Liberal Arts in North Adams, Mass. Georg received the Blanche E. Colman award in 2009. www.christygeorg.com Ann Suellentrop (’97 photo/video) leads a Kansas City-based group against the use of nuclear power. For information about how to get involved, visit her at www.kcnukeswatch.wordpress.com, www.nukewatch.org/KCNukePlant. Amy Dane Falkowski (’98 painting) and her husband, Andrew, gave birth to their second child, Walter Daniel Falkowski, on Oct. 26, 2009. The couple also has a 3 year-old daughter, Ginger. Ellen Greene (’98 painting) will exhibit “The Last Unicorn Art Show” on April 16 at Tattoo Factory Gallery, 4443 N. Broadway, Chicago. The show honors “The Last Unicorn,” the novel and film written by Peter S. Beagel. To coincide with the gallery show, there will be a screening of the film “The Last Unicorn” on April 17 (Location TBD). A question and answer session will be conducted afterwards with Beagle. www.artbyellengreene.com
Rachel Frank (’03 sculpture and painting) will present a theatrical performance entitled “Sleep of Reason” at 8 p.m. March 31 at the Vaudeville Park, 26 Bushwick Ave., Brooklyn, N.Y. "Sleep of Reason" uses the allegorical narratives in Francisco Goya’s "Los Caprichos" and "The Disasters of War" series to examine the theatrical/performance implications of prisoner torture and abuse depicted in the Abu Ghraib photographs. www.rachelfrank.com Kaitlyn Toronto (’05 fiber), owner of Hey Sailor! Hats, received the 2009 “Hatty” award from Hat Life, a leading head wear resource directory. Toronto, a resident of Vallejo, Calif., founded Hey Sailor! Hats in 2008. Since then, Toronto’s designs have been featured in two New York hat shows. Her designs also have been featured in national and international fashion magazines. For more information on Toronto’s work, visit www.hey-sailor.com.
Dan Bina (’06 painting) recently became engaged to fellow artist Katya Mezhibovskaya. For information on her work, click here. Bina also exhibited work in a group show entitled “The Hidden Wisdom: Free Range” in February at the Knitting Factory in Brooklyn, N.Y., and he was listed on Svartkonst magazine’s Web site. Visit Bina’s blog at www.danbina.blogspot.com. The Charlotte Street Foundation has selected Ari Fish (’06 ceramics), Sonie Ruffin and Caleb Taylor to receive unrestricted cash awards of $10,000 each. The Charlotte Street Awards recognize Kansas City-based artists who are creating outstanding artwork and provide financial support, critical attention and increased exposure for these artists with the aim of fostering their continued artistic and professional development. Fish’s work bridges fine art and fashion, spanning from conceptually-driven costume and clothing design to drawing, performance and installation. Rena Wood (’06 fiber) recently won an award of excellence at Art Saint Louis’s juried exhibition “Articulated Vision.” For more information, click here.
Bill Hesterberg (’60 printmaking) Jon Scott Anderson (’69 painting) Irv Tepper (’69 ceramics) Lawrence McFarland (’73 photography) Gogi Millner (’76 ceramics) Debra Peebles (’78 painting) Wendell Wilson (’78 design) Sandra Ure Griffin (’79 printmaking) Brenda Cole Seymour (’80 design) Eric Brightfield (’82 design) Don Nakamura (’84 ceramics) Patrick McGee (’85 sculpture) Karin S. Ronning-Meagher (’85 painting) Lucy Fletcher (’86 design) Laura Zeck (’87 printmaking) Jessica Kincaid (’92 fiber) Meg Levine (’93 ceramics) Chris Kienke (’94 illustration) Rebecca Hahn (’96 printmaking) Susan White (’96 sculpture) Christy Georg (’97 sculpture) Ann Suellentrop (’97 photo/video) Nemo Gould (’98 sculpture) Ellen Greene (’98 painting) Brian Stinemetz (’99 painting) Shawn Sanem (’00 painting) Adam Sirkin (’00 design/illustration) Meredith Host (’01 ceramics) Beth Allison Wickerson (’03 photo/new media and art history) Travis Porter (’05 design) Erika Hanson (’06 fiber) Kat Dison (’07 sculpture) Katie Watson (’07 photo/new media) Ryan MacDonald (’08 painting and creative writing) April Hernandez (’09 ceramics) Rachael Longgrear (’09 painting)
Calvin Maglinger (’49 design) died Jan. 20. After his graduation from KCAI, Maglinger worked for 12 years as manager of creative services for Texas Gas Transmission Corp. He retired from the Evansville Courier and Press, a Scripps Howard newspaper, after 21 years as art director. More than 20 of Maglinger's paintings have had prints sold nationally. His Regional Art Series, popularized in the 1980s, has been well received and has won wide acclaim. A recipient of numerous awards, the artist has been honored with solo shows and his originals are in the collections of a number of Midwest art patrons. Maglinger was given a special medallion from the Indiana State Museum for the painting “Foggy Morn.” His painting “Quiet Time” appeared on the Artists of America calendar in 1995 and he completed historical paintings of the Ohio River for the Casino Aztar Evansville riverboat in 1999. Calvin was preceded in death by his infant son, Phillip Irwin Maglinger; and by siblings J.W., Woodrow, Hoover, Homer, William and Odelia. Survivors include his wife, Ruth; sons Stan (Cathy) Maglinger and Paul (Jenny) Maglinger; grandchildren Brad (Meredith) Maglinger, Jennifer (Kevin) Banning, Jessica Maglinger and Andrea Maglinger; great-grandchildren Alexis, Isaac and Isabella; and by siblings Fred Maglinger Jr., Ozzie Maglinger and Hazel Miller. He was lifelong friends with Hugh Walkinshaw (’49 design), who died the same day (please see below). Hugh Walkinshaw (’49 design) died Jan. 20 at his home in Lexington, Mo. After graduating from KCAI, Walkinshaw worked as a commercial artist in Kansas City and Wichita before settling in Tulsa, Okla., in the 1950s as a freelance artist. In addition to commercial art, he was very successful with cartooning, with cartoons appearing in The New Yorker, Cosmopolitan and other leading magazines. He taught transparent watercolor painting in Tulsa and later expanded into watercolor workshops throughout the country. He was a member of the American Watercolor Society, Kansas Watercolor Society and many other art organizations. He was also a veteran of the U.S. Air Corps and served in WWII as a pilot. He is survived by his wife, Helen Jean; his son, Hugh, Jr.; his daughter Debra (Richard) Humble; and his grandchildren and great-grandchildren. He was lifelong friends with Calvin Maglinger (’49 design), who died the same day in Evansville, Ind. Greg Graham (’72 sculpture) died at home Feb. 20 after a short battle with lung cancer. His wife, Christie Boulding, his daughters, Meredith and Emily, and his sister, Sherry Graham Nelson, were at his side. A native of Minneapolis, Graham graduated with a degree in architecture from the University of Minnesota and a B.F.A. from KCAI. Graham was a creative entrepreneur who founded and ran four contracting companies. His specialty was residential renovation, although his most recent company, Graham Contracting Inc., also did commercial work. In the mid-1990s, Graham sold Graham Contracting to its employees out of a conviction that the people who did the work should share in the ownership. The firm was cited in John Abrams book, “Companies We Keep: Employee Ownership and the Business of Community and Place.” Graham remained active in the business until 2008. A passionate sailor and antique car enthusiast, Graham restored many antique cars and owned several sailboats during the course of his life. He raced sailboats and ice boats in Minneapolis from an early age. He and his family spent many summers on Buzzards Bay on their Alberg 35 sloop. In 2008 Graham and his wife bought a 45-foot Downeaster Schooner, had an estate sale to get rid of most of their possessions, rented out their house in Wayland and moved aboard the sailboat. They returned to life ashore once his illness was diagnosed. In addition to his wife, daughters and sister, Graham is survived by numerous nieces and nephews. |
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